Shooting With High ISO

August 1, 2018

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Whenever I tell fellow photographers that I like shooting with high ISO on a regular basis, they all react the same way: really?!  And you don’t get grain?!  Or even: that goes against everything I’ve ever read/learned in school!

The truth is, I’m completely self-taught when it comes to photography and I’ve never been one to follow the “rules” of photography 100% – especially if they don’t yield the kind of results I want.  So yes, I shoot with a super high ISO pretty much all of the time and it totally works for me!  I’ve always subscribed to the theory that I’d rather have images that are light-filled and in focus versus a photo with no grain.  Grain doesn’t bother me and honestly, I don’t ever really notice it.  So when it comes to the exposure triangle, my aperture + shutter speed are way more important to me than my ISO.  I’ll bump my ISO high so that I can maintain an appropriate aperture and shutter speed, because I don’t want soft images shot wide open and I don’t want motion blur due to a slow shutter speed.

So how can it be that I shoot with high ISO and still produce crisp, light-filled images that aren’t overly grainy?

I think it all comes down to the way I shoot.  Getting things right in-camera is super important!  I always over-expose my images at least 1 stop, if not more, in-camera.  So when I’m shooting, my light meter reading is +1 or more to the right of center (below).

image of camera menu showing high iso and exposure settings

By over-exposing my images when I am shooting, I am able to minimize the amount of grain because I won’t have to boost exposure as much in post-production.  This also gives me the light and airy images I love.  And realistically, if there is any noticeable grain in my images once I am done editing them, I will use the Lightroom Noise Reduction module to correct it.  It works like a charm!

For me, high ISO is “normal”.  It’s just something I’ve always done and it gives me the results I like.  Honestly, the lowest ISO I probably ever use is ISO 400 and that’s VERY RARE… usually only when I’m shooting in direct mid-day sun.  I know, I know… it goes against everything you’ve ever heard or read.  But it works for me and I love the results.

I shoot with a Canon R5 and the ISO capabilities are amazing.  In my opinion: why not utilize it?!  Below are a few photos in various lighting scenarios with the settings listed so you can see what I’m talking about.  If you’re consistently frustrated with your own images and are looking to create more light-filled images, try boosting your ISO and see how it works for you.  You just may be amazed!

Left: ISO 2000 | 57mm | f/4 | 1/2000
Right: ISO 2000 | 67mm | f/4 | 1/8000

ISO 2000 | 70mm | f/4 | 1/2500

shooting at high iso during daylight hours to lighten a typically dark space ISO 6400 | 28mm | f/4 | 1/160

Left: ISO 1600 | 67mm | f/4 | 1/640
Right: ISO 2000 | 65mm | f/4.5 | 1/1250

ISO 1600 | 100mm | f/5 | 1/1250

ISO 2000 | 55mm | f/4 | 1/800

Left: ISO 2500 | 70mm | f/4 | 1/3200
Right: ISO 2500 | 100mm | f/5 | 1/1250

shooting at high iso under a dark tree at sunset to create a light and airy image ISO 1250 | 50mm | f/4 | 1/500

ISO 2000 | 53mm | f/4 | 1/800

ISO 2500 | 100mm | f/5 | 1/250

Left: ISO 2500 | 70mm | f/4 | 1/800
Right: ISO 2000 | 70mm | f/4 | 1/1600

ISO 6400 | 50mm | f/4 | 1/1250

 

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With a well-worn passport in hand, and an affinity for a good cocktail, Dana works with fun-loving and kind-hearted clients around the globe. 

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